GSA candidate debate

Last night, Monday April 19, our ticket and our opponents were the at the GSA debate.
From 7.30 PM until 9.30 PM we were in Know 112 answering to questions, with the cameras of SA TV (the TV channel managed by the Undergraduate Student Association) there to record the event.
The candidates running for the same office were given the same 4 questions: they had 2 minutes and 30 seconds to answer each of them, and then a 30 seconds rebuttal.

I liked it: it was a lot of work from all candidates, and we hope that people will check it out once it will be released on youtube

 GSA candidate debate

 GSA candidate debate

New on pompeiiinpictures in April

Street Views.

A new street view plan has been added to pompeiiinpictures. It can be accessed from the new Streets button on left hand side of every page.
Every street in Pompeii is on the plan. Clicking on any street will take you to the photographs of that street. This includes the unnamed vicoli as well.
The technology may not be as advanced as Google Street View but our coverage is we believe the most comprehensive, with every street covered.
Also included is an alphabetic list of street names where you can click directly on each street to see its pictures.
Access the street view plan

Glossary.

The new more comprehensive Latin, Italian and English Glossary (kindly provided by Michael Binns of the University of Durham last month) has now been further enhanced by his addition of about 10% more entries.
This is intended to be a convenient reference list for the use of students of Latin and of Roman life, archaeology, and architecture as well as to explain terms used in relation to Pompeii and on pompeiiinpictures.
The Italian is included, as many sources for our study are of course in Italian, and so the glossary has the plurals of both Latin and Italian terms to ease their distinction. Their English meaning is also given.
Access the Glossary

Roman Personal Names.

An explanation of Roman personal names (also kindly provided by Michael Binns) has been added. This has sections covering men’s names, women’s names, adoption, slaves, freedmen, other grants of citizenship, praenomina, the tribes, social classes, Patricians and Plebeians, and Public Service Careers under the Empire.
Find out about Roman Personal Names

We are leaving for Pompeii in an hours time, so no more updates for a couple of months.
Perhaps we may see you in Pompeii?

Jackie and Bob at pompeiiinpictures

 New on pompeiiinpictures in April

 New on pompeiiinpictures in April

Interview: Fabrizio Pesando

Pesando,+foto Interview: Fabrizio PesandoI was invited to interview Fabrizio Pesando for Blogging Pompeii, who you’ll all know as the head of the Department of the Classical World and the Ancient Mediterranean at the University of Naples “L’Orientale”. He has decades of research and fieldwork experience, but here I’ll only mention some of his key Vesuvian projects.

He’s the director of the Project “Pompeii Regio VI” which is a joint project with the universities of Perugia, Trieste, Siena and Venice. He is also director of the L’Orientale project “The first centuries of Pompeii. Analysis of the city from the archaic to the augustan period (VI-I cent.B.C.)” (PRIN 2004-2006) and the project “Rereading Pompeii” (PRIN 2006-2008).

Along with an extensive bibliography on Pompeii and the Vesuvian sites, he has just launched the new journal Vesuviana, the launch of which will take place tomorrow (see you all there!).

Quando è stata la prima volta che ha visitato Pompei? Cosa reputa essere la cosa più speciale che abbia mai visto a Pompei?
La prima visita di studio è stata esattamente 30 anni fa, nell’Aprile del 1980, durante una gita dell’Università di Perugia organizzata da Filippo Coarelli. Da allora non ho più smesso di occuparmi dei siti vesuviani, anche se talvolta ho guardato in altre direzioni e le mie ricerche hanno preso altre direzioni. Allora era un altro mondo, che faceva sentire ancora l’importanza dell’archeologia come processo di conoscenza sul campo e dove ogni sito archeologico – quale fosse la sua rilevanza storica e monumentale – era importante in sé, in quanto frammento di un mondo che toccava a noi cercare non di ricostruire, ma di comprendere. In particolare, ho visto allora cose che non avrei più rivisto nello stesso modo: per fare un esempio la Casa del Balcone Pensile, che pochi anni prima era stata scenario per un film di genere (Scipione detto anche l’Africano) era allora ancora accessibile: non lo sarebbe mai più stata, dopo i danni causati dal terremoto del 1980.

Lei sta attualmente curando la nuova rivista scientifica Vesuviana, ce ne può parlare?
La rivista ha lo scopo di contribuire alla conoscenza dei siti vesuviani attraverso studi di vario genere (storico, epigrafico, archeologico, linguistico), per fornire una visione quanto mai ampia delle interpretazioni di questi straordinari siti, nel solco della tradizione delle Scienze Storiche dell’Antichità che hanno fondato tutti i nostri saperi.

Quali sono i motivi che l’hanno spinta a lanciare la rivista Vesuviana?
L’offerta editoriale sui siti vesuviani è piuttosto ampia, soprattutto per quanto riguarda le monografie, scritte in varie lingue. Per Vesuviana, che si avvale di un ampio comitato scientifico internazionale, l’idea è di costituire un terreno di confronto e di dialogo sulle ricerche effettuate negli ultimi, intensi, dieci anni, che hanno visto equipe di tutto il mondo lavorare e studiare Pompei in un clima di grande collaborazione. Ed è ai giovani, che hanno costituito e costituiscono il nucleo vitale di tutti questi gruppi di ricerca, che la rivista si rivolge, intendendo ospitare, insieme agli articoli dei responsabili delle ricerche, anche i loro contributi, segnale importante per quella trasmissione delle conoscenze a cui facevo riferimento.

Può parlarci della ricerca/dei progetti che sta attualmente portando avanti?
Al momento sono impegnato alla pubblicazione dei risultati delle campagne di scavo 2007-2008 nell’ambito del Progetto Regio VI, che dal 2001 ha coinvolto l’Università di Napoli “L’Orientale” insieme a quelle di Perugia, Trieste, Venezia e Siena. Il progetto, esteso a quasi l’intero quartiere, ha permesso di individuare un numero consistente di strutture arcaiche, di scavare quasi interamente 8 abitazioni di III secolo a.C. e di individuare i processi di organizzazione degli spazi del quartiere fra l’età il VI secolo e il tardo I secolo a.C. Finora abbiamo pubblicato resoconti di scavo, due monografie (dedicate alle insulae VI,10 e VI,13) e un elevato numero di interventi in convegni internazionali. La mia prossima campagna di scavo, programmata per la fine dell’estate, prevede la conclusione dei lavori nella Casa del Granduca Michele (VI,5,5,) e del Centauro (VI,9,3), dove sono state scoperte due “protocase” in buono stato di conservazione risalenti rispettivamente alla prima metà e alla fine del III secolo a.C., e di cui abbiamo individuato successivi rifacimenti fino alla loro completa ricostruzione nel II secolo a.C. che comportò un rialzamento del livello di calpestio di circa 60-80 cm.
Dal 2009 faccio parte di un gruppo di ricerca costituito da vari centri di ricerca italiani e stranieri che ha l’obiettivo di studiare sistematicamente le mura di Pompei, delle quali (paradosso della Pompeianistica) non possediamo ad oggi neppure il rilievo completo. Ma la complessità della ricerca richiede fondi di finanziamento molto elevati ed è per ora questa la ricerca che stiamo effettuando.

Quale lavoro attuale reputa di particolare importanza? In che direzione vorrebbe che andassero gli studi pompeiani – quali sono, secondo Lei, le questioni chiave che bisognerebbe affrontare?
Tutti gli studi pompeiani sono di grande importanza; direi però che oggi quelli di maggior rilievo riguardano gli aspetti urbanistici, la ricostruzione della modalità che portarono alla nascita della città e la migliore calibrazione cronologica della storia edilizia dei monumenti; come è sempre stato fatto, quanto conosciamo e conosceremo di Pompei potrà essere esteso a realtà ad essa simili nello spazio e nel tempo

Se I lettori del blog dovessero leggere soltanto un libro sull’archeologia vesuviana quale consiglierebbe?
Difficile scelta; emendato di alcune imprecisioni che gli studi più recenti hanno chiarito, direi ancora il vecchio testo di A. Mau, Pompeji in Leben und Kunst (1909), perché ci offre quella visione interdisciplinare che la Pompianistica, nella migliore interpretazione del termine, deve sempre fornire agli studiosi.

C’è qualcosa altro che vorrebbe dire ai nostri lettori del Blog?
Ricordarsi della straordinaria lezione che il confronto con una realtà complessa come quella dei siti vesuviani ci impartisce: lavoriamo su frammenti che continuamente arricchiscono le nostre conoscenze e che formano un percorso di conoscenza, la cui conclusione è ancora lontana. Percorrere questo cammino, anche solo per un breve tratto, costituisce un grande privilegio.

 Interview: Fabrizio Pesando

 Interview: Fabrizio Pesando

Exhibition of plaster casts at the Boscoreale Antiquario

As absurd as I find the term “frozen victims” for the plaster casts of people & animals at Pompeii, the exhibition about the history of the casts and their creation might be a fascinating and useful one for academic types and tourists alike (provided tourists can find their way to Boscoreale).

It’s my hope that the exhibition problematizes the casts a bit more than the BBC article does, portraying the casts as straightforward and scientific.

I believe Gene Dwyer has been consulting on this exhibition. Maybe he will chime in here (Hi Gene!).

The video on the BBC page might be of use for students’ first encounter with the plaster casts.

EDIT: In case you haven’t yet seen Dwyer’s great essay on plaster casts of Pompeian victims, read it here at Interpreting Ceramics.

 Exhibition of plaster casts at the Boscoreale Antiquario

 Exhibition of plaster casts at the Boscoreale Antiquario

Third Herculaneum Conference

The Friends of Herculaneum Society is holding its Third Herculaneum Conference 11-13 June 2010 in Ercolano, Italy.

The programme includes talks by the new Director of the British School at Rome, Prof. Christopher Smith, and by the immediate past Director, Prof. Andrew Wallace-Hadrill; presentations by members of the Herculaneum Conservation project; site visit (including the Villa of the Papyri and the new boat museum) with Dr Maria Paola Guidobaldi, Director of Excavations, and Dr Domenico Camardo; an excursion up the slopes of Vesuvius; and a visit to Stabiae with Prof. Thomas Howe, Director of the Restoring Ancient Stabiae project.

The conference fee is £150 (£120 concessions) which includes all entrance fees and talks, welcome reception on Friday, dinner Fri/Sat and lunch Sat/Sun. Delegates need to arrange their own return transportation to Ercolano and accommodation; we have secured favourable rates at the new 4-star Miglio D’Oro hotel in Ercolano, and B&B accommodation is available to those who prefer it.

Delegates need to members of the Society; subscriptions start at £15 (concessions). For further information about the Society please visit http://www.herculaneum.ox.ac.uk/; for further details about the meeting please e-mail: herculaneum@classics.ox.ac.uk.

Please note that places are limited and we ask that people register by 16 April.

Bob Fowler
For the Trustees

 Third Herculaneum Conference

 Third Herculaneum Conference

Pompeii Tours Audio Guide – Is it Worth It? – The Truth

It is also true in a way that you can enter, let’s say, into Pompeii, walk around without a guide, and find your own way out. You can even do it with a guidebook.

Here is what I have found not just with clients, but also with my own travels across the world. Without a human for Pompeii guide you miss a kind of interpretation of the meaning of the place and especially what it could mean to you today, not only in the ancient times.

Since we are all different, it is really impossible, in my opinion, to package the personal meaning for you up in a

written guide or an audio guide. You can come close if it is well done, but it can never be personalized.

Personalization it’s the most important thing about a tour.

So in Pompeii they do have audio guides you can rent. They look like little telephones you hold up to your ear, and you get information about each place. Each place, as I told you, has a number. You follow the audio guide number to number.

But Audio Guides are not exactly like having a real Pompeii guide simply because you cannot personalize it. It cannot be personalized to your own knowledge, desires, and for your own personal things that you want to see or to know about a place.

Growing up, I am betting you liked to ask “why”. When you are inside Pompeii, it is no different and you cannot ask

why to an audio guide or a book.

For example, let’s try to imagine, to figure what’s happening when some of the houses are closed. That’s happening very often in the site of Pompeii. What then? What do you do? An expert guide will be able to change the itinerary for you according to the situation.

So that’s a fundamental point, which is not insignificant. With the Audio Guide you must follow it, whereas a true tour with a local guide is built around you.

So that if you are excited about seeing in one house and it ends up being closed, when you arrive?

An expert local guide can rearrange the tour, being able to alter what houses you can actually see in to ensure you

have you leave Pompeii having had a true sense the place.

Larger photographs on pompeiiinpictures

We would like to put larger photographs on www.pompeiiinpictures.com. The current photographs are reduced in size to two thirds of their 640 by 480 size in order to fit more computers out there.

We are not sure whether the newer netbooks with 10 inch screen will be able to view them properly, if we increase them to full size. Will they resize to fit? Will they disappear off the edge of the screen? Do we need new web software?

We have inceased the size of the pages for I.1 (I.1.1 to I.1.10) as a test.
If you have a small screen we would be really grateful if you could try the pages and post the result please. If you can add the screen size and browser name and version used also this will help a lot.

http://pompeiiinpictures.com/pompeiiinpictures/R1/1%2001%2010.htm has vertical and horizontal pictures so may be a good one to try.

Hope you can help
Jackie and Bob at pompeiiinpictures

 Larger photographs on pompeiiinpictures

 Larger photographs on pompeiiinpictures

Looted artifacts being returned to Italy from NYC

NEW YORK — Two stolen ancient artifacts are being returned to Italy from New York City.

An Italian government representative is taking possession of them at a ceremony Wednesday. The artifacts are a Pompeii plaster wall painting and a Corinthian vase for mixing water and wine.

They were recovered by immigration and customs officials in June. Both items had been scheduled for auction in New York before they were discovered to have been stolen.

Immigration officials said the vase may have been illegally introduced into the art market by Giacomo Medici (JAH’-kuh-moh MEH’-dih-chee) in 1985. The art dealer was convicted in Rome in 2004 of conspiracy to traffic in antiquities.

The wall painting was reported stolen in Italy in 1997.

Original article-with photos

Google adds Pompeii to its Street View

Google has added Pompeii to its Street View application, allowing internet users to take a 360-degree virtual tour of the ancient Roman city.

Italy’s culture ministry says it hopes the move will boost tourism to the site, state news agency Ansa reports.

Among the ruins visible on the search engine’s free mapping service are the town’s statues, temples and theatres.

The city was buried in ash after Mount Vesuvius erupted in AD79 and was not discovered until the 18th Century.

The volcanic debris preserved many of the city’s buildings, frescos, silverware, mosaics and other artefacts.

“Giving people a chance to take a virtual stroll through Pompeii will give an extraordinary boost to Italian tourism,” Ansa quoted Mario Resca of the culture ministry’s heritage promotion department as saying.

The Google Maps service, launched in 2007, provides panoramic street-level views of more than 100 cities around the world.

Continued